ASOR CHI Symposium
Cultural Heritage Initiatives in Africa Today
Program Schedule
Click on the session links below to view the schedule for each day.
ASOR CHI proudly announces Cultural Heritage Initiatives in Africa Today, a free three-day symposium that highlights the work of local heritage professionals, academics, and civil society organizations to protect, preserve, and promote cultural heritage in North Africa and the Sahel. ASOR welcomes you to attend the symposium via Zoom from April 11–13, which will feature work in Libya (April 11), the Maghreb (April 12), and the Sahel (April 13). Each session will last from 11:00–13:00 EDT.
- No registration is necessary to attend this event. Please return to this webpage on each day of the symposium to access the Zoom link.
- Simultaneous translation in Arabic, English, and French will be provided.
Protecting Libyan Cultural Heritage
THURSDAY, APRIL 11, 2024
11:00 – 12:00 EDT (15:00 – 16:00 GMT) | Presentations (10 minutes each)
12:00 – 13:00 EDT (16:00 – 17:00 GMT) | Moderated Discussions
MODERATORS
Aida M. Ejroushi
American Society of Overseas Research (ASOR)
Ahmad Emrage
American Society of Overseas Research (ASOR)
Geoff Emberling
University of Michigan
Cultural Heritage in Tumultuous Times: Collaborative Engagement at El-Kurru and Jebel Barkal, Sudan
Muftah Ahmed Alhddad
Azzaytuna University & The Department of Antiquities, Libya
A Practical Approach to the Protection of Cultural Heritage Sites Against Anthropogenic Activity in Libya: the Wadi Majer as a Case Study
Ahmed Buzaian
University of Leicester, United Kingdom
Ancient Olive Presses and Oil Production in Cyrenaica (Northeast Libya)
Aida M. Ejroushi
American Society of Overseas Research (ASOR)
Documenting Continuation in Transforming Tripoli’s Historic Center: Changing Bilkhair Neighborhood
Khaled M.A. Elhaddar
University of Benghazi, Libya
The Status of Libyan Archaeological Museums During War and Peace and Ways to Protect Them
Julia Nikolaus
MarEA, Ulster University
Exploring the effects of Climate Change and Coastal Erosion on the Maritime Heritage of Libya
Cultural Heritage in the Maghreb
FRIDAY, APRIL 12, 2024
11:00 – 12:20 EDT (15:00 – 16:20 GMT) | 10-minute Presentations
12:20 – 13:00 EDT (16:20 – 17:00 GMT) | Moderated Discussions
MODERATOR
Ratiba Rigalma
Ibn Zohr University, Morocco
Awatef Bahroun
University of Manouba, Tunisia
The Imperiled Jewish Cemetery of Soliman (Tunisia) Facing Disappearance
Jamel Eddine Ben Saidane
Carthagina, Tunisia
Documenting Endangered Heritage as a Tool for Connecting Tunisian Minorities
Lassaad Dandani & Nawel Drissi
University of Manouba, Tunisia
Cemeteries of the Jewish Minority in Tunisia: Between Heritage Conception and Tourism Employment: The Finalization of an Interactive Map of Jewish Cemeteries
Jamal Maghiouzi
American Society of Overseas Research (ASOR)
Towards Heritage Preservation and Intercultural Dialogues
Abdelkarim Ouguinaz
High Atlas Foundation, Morocco
Preserving Morocco’s Tangible Heritage: Condition Assessment and Mapping Efforts by the High Atlas Foundation and the American Society of Overseas Research
Ratiba Rigalma
Ibn Zohr University, Morocco
The Suitcase Museum Experience in Morocco
Assia Sabri, Ibtissem Sabri, & Belgacem Guemri
Laboratory Douiret, Tunisia
The Amazigh Heritage within ASOR’s project in Tunisia
Safouane Tlili
Carthagina, Tunisia
Ibadi Mosques on the Tunisian island of Djerba: A Legacy on the Way to Extinction
Cultural Heritage in the Sahel
SATURDAY, APRIL 13, 2024
11:00 – 12:20 EDT (15:00 – 16:20 GMT) | Presentations (10 minutes each)
12:20 – 13:00 EDT (16:20 – 17:00 GMT) | Moderated Discussions
MODERATOR
Jean-Paul Koudougou
International Council of Museums (ICOM) Africa
I – Heritage Management during Insecure Times
Issouf Balima
IKAM Burkina
Insecurity, Challenges and Current Perspectives about the Heritage of the Sahel
Aboutou Konate
AESPAT, Mali
Training in Documenting the Threatened Heritage of Communities in Mali
II – Roles of Cultural Associations in Preserving Heritage
Kadiatou Sow
AESPAT, Mali
Raising Community Awareness and Documenting Threatened Cultural Heritage in the Commune of Minidjan in Mali
Boureima Teme
Association Dogon Initiatives (ADI), Mali
The Efforts of the Dogon Initiatives Association for the Documentation and Preservation of the Cultural Heritage of Mali
Rahina Balarabé
Oralité Plus, Niger
Oralité Plus’ Cultural Heritage Work in Niger
Pierre Guindo
Mission Culturelle Bandiagara, Mali
Mission Culturelle of Bandiagara (Mali): Work on the Bandiagara Cliffs (Mali) in Partnership with ADI and ASOR
III – Safeguarding and Preserving Heritage through Community Action
Maki Garba
Culture, Art et Humanité (CAH), Niger
The Valorization and Revitalization of Traditional Cultures and Skills in Niger: The Case of Practical Transmission of Women Potters from Boubon
Kientega Pingdewindé Gérard
Koombi Culture, Burkina Faso
Role and Place of the Blacksmith in the Society of the Mossé in Burkina Faso
Speakers / Presenters

Dr. Mftah Alhddad is Professor of Archaeology and Ancient History at Azzaytuna University in Tarhuna, Libya. He received his doctorate in Archaeology from the University of Leicester in 2010. In 2012, he became the first director of the Libyan Department of Archaeology’s Documentation and Digitization Centre for Cultural Heritage. He has since been involved in a number of collaborative projects between DoA and foreign archaeological missions and institutions, including EAMENA, Training in Action, and Partnership for Heritage.

Awatef Bahroun is a heritage consultant and curator of the Leader Habib Bourguiba Museum. She is also a doctoral student, researching the Jewish community of Nabeul and its affect on the Jews of Cap Bon.

Rahina Balarabé, born in Niamey, Niger, Ms. Balarabé fell in love with storytelling at a very young age. In 2007, she made her storytelling debut and by 2008 had founded her theater company. She currently leads the artistic and cultural organization, Oralité plus.

Issouf Balima works with IKAM Burkina Sarl, a non-profit specializing in training in cultural entrepreneurship (Maaya), management, and cultural administration. IKAM serves as a resource center for the cultural and creative industries in Burkina Faso.

Jamel Eddine ben Saidane is a member of the Tunisian Amazigh minority. He is passionate about history and is involved in various initiatives aiming to protect, document, and promote Tunisian heritage. Jamel is a member of the Carthagina Association.

Dr. Ahmed M. A. Buzaian is a Research Associate at EAMENA, School of Archaeology and Ancient History, University of Leicester, UK. He also served as a Full-time lecturer in classical archaeology at the Department of Archaeology, Benghazi University, from 1994 to 2012, including teaching courses on Roman pottery, Field archaeology and Techniques in archaeological excavations, as well as post-excavation skills. Dr. Buzaian has directed numerous field projects including excavations at the ancient city of Teucheira (modern Tocra) from 1994 to 2012, Omar al-Mukhtar University training excavations at the ancient site of Balagrae (modern al-Beida) from 2001 to 2006, and Co-director of the Anglo/Libyan excavations at Euesperides (1995-2006).

Lassaad Dandani is Assistant Professor at the Higher Institute of Heritage Professions of Tunis. He holds a PhD in Contemporary History. He researches tourism and heritage in Tunisia and the Maghreb. Author of several articles on the history of tourism in Tunisia, he recently published a book on “Automotive Tourism in Tunisia.”

Nawel Drissi, a University teaching assistant at the Faculty of Letters, Arts, and Humanities, Manouba. A PhD researcher (final year) in American Politics and International Relations. I hold a master degree in American Foreign Policy from Leicester University, UK. I am also a UNESCO peace ambassador.

Dr. Aida M. Ejroushi, an architect from Libya, obtained her doctoral degree in Land Use, Planning, Management, and Design with a specialization in historic preservation from the College of Architecture at Texas Tech University. Dr. Ejroushi’s research revolves around historic preservation planning, planning history, international planning and development, critical theory, uneven development, and Science and Technology Studies. She examines the intersection between historic preservation and urbanization.

Geoff Emberling is an archaeologist and museum curator specializing in the Middle East and North Africa. Since 2016 he has worked with a team of Sudanese and international archaeologists and conservators to engage communities in education and preservation of the UNESCO World Heritage site of “Gebel Barkal and Sites of the Napatan Region” in northern Sudan. This work has spanned a popular revolution, a military coup, and now a civil war in Sudan.

Dr. Ahmad S. M. Emrage is an associate professor at the Department of Archaeology, Faculty of Arts, University of Benghazi’s. He holds a BA and an MA in Archaeology from University of Benghazi. In 2014, he completed a PhD at the School of Archaeology and Ancient History, University of Leicester, The UK.
During the 2019–20 academic year, Emrage held a Fulbright Fellowship to teach courses on Libyan cultural heritage at Oberlin College (Ohio, USA).
As ASOR’s representative for heritage activities in Libya, Dr. Emrage manages ASOR’s cultural heritage grants and activities in Libya.

Maki Garba holds a Professional Master’s degree in Cultural Heritage Management from Senghor University of Alexandria, Egypt. He is president and founder of the Culture, Art and Humanity Association (CAH). Garba works for cultural heritage on associative and public lands in Niger. Garba coordinates several projects in the fields of culture, development and social cohesion in Niger through the Cultural Diversity Portal: https://niger.spla.pro

Belgacem Guemri is a mechanical engineer and freelance photographer, who is interested in methods and techniques for documenting and preserving cultural and civilizational heritage.

Pierre Guindo was born in Nombori (Bandiagara) in Mali. He holds a Master’s degree in History-Geography from the Ecole Normale Supérieure of Bamako-Mali obtained in 1999, and a Diploma of Advanced Professional Studies (equivalent to a Master II) in Cultural Heritage Management from the Senghor University of Alexandria in Egypt obtained in 2005.
Professional therefore in the field of cultural heritage, after two years of service in the world of NGOs, he has worked and continues to work for the preservation and promotion of cultural values at the level of the Cultural Mission of Bandiagara where he is manager, holding the position of head of department since 2013.

Dr. Khaled el Haddar is Associate Professor of Archaeology at the University of Benghazi in eastern Libya. Since the Libyan revolution of 2011, he has played an instrumental role in documenting and raising awareness about the illicit trafficking of Libyan cultural property. In 2022, the Libyan Historic Cities Authority published his book, The Missing Benghazi Treasure: a Documentary Study, detailing the disappearance of the significant archaeological collection that had been housed in the National Trade Bank in Benghazi.

Aboutou Konate is a graduate with a Masters in Culture and Development from the University of Social Sciences and Management, Bamako, Mali. Currently, Mr. Konate serves as an archaeologist and instructor for the Faculty of History and Geography at the University of Social Sciences and Management, as well as an ASOR Local Coordinator Consultant in Mali as part of the Cultural Heritage Initiatives in the Sahel.

Jean-Paul KOUDOUGOU. Trained as a historian, multimedia communicator and cultural heritage management consultant, he has benefited from a series of high-level training courses in cultural heritage management. He has held several senior positions in the field of museum management and has a good knowledge of African museum policies. He is the President of the ICOM Africa Regional Alliance (ICOM-Africa) and Consultant for ASOR.

Jamal Maghiouzi was born in Dades Valley, Tinghir, Morocco. He has bachelor’s degree in English from Kaddi Ayyad University, Marrakech. He was always interested in culture and heritage. He became a field cultural coordinator at High Atlas Foundation USAID-Dakira program / Religious and Ethnic Minorities Program and at Asor HIC Program between 2021 and 2023. During these experiences, he developed his interests in ethnography, anthropology, local heritage, and inter-cultural dialogues.

Julia Nikolaus is an archaeologist specializing in North Africa, with a focus on remote sensing and heritage protection particularly in Libya, Egypt and Tunisia. Her research centers around long-term changes to archaeological sites and landscapes, which includes the exploration of more recent challenges to heritage such as urbanization, agricultural expansion and climate related impacts.

Abdelkarim Ouguinaz is a Ph.D. GIS expert with 8 years of experience in the field of GIS. He is capable of managing spatial databases and creating maps to undertake urban and rural planning projects. As a GIS engineer, he worked in various offices and NGOs and was also a freelance consultant. His duties include collecting and analyzing the data using Remote Sensing to process satellite images, creating interactive maps on online platforms, and mastering GIS software such as ArcGIS, QGIS, Google Earth Pro, and SasPlanet. Additionally, he has experience with photogrammetric processing of digital images and generating 3D spatial data for use in GIS applications and cultural heritage documentation.

Kientega Pingdewindé Gérard (aka KPG) anchors his profession as a blacksmith from Burkina Faso based on ancestral knowledge transmitted by his father. He also trained in theatrical art in Ouagadougou and established himself as a renowned storyteller, which led him to win the Silver Medal at the 2009 XVI Francophonie Games in Beirut. Transmission of intangible cultural heritage is at the heart of his vision; for this, he created in 2008 the Koombi Cultural Center in Arbollé, his native village, to train young people in the practices of storytelling, dance, and music.

Ratiba Rigalma is a professor at Ibn Zohr University, specializing in archaeology and heritage. She is a graduate of the National Institute of Archaeology and Heritage and a former department head at the Moroccan Ministry of Culture. Professor Rigalma has published several articles on archaeology and heritage and has participated in seminars at the national and international level.

Assia Sabri holds a university degree in accounting and finance. She is also a traditional jewelry maker and civil society activist.

Ibtissem Sabri is a civil society activist in Tataouine in southern Tunisia. She is also a representative on the local council of Tataouine Sud in Douiret.

Kadiatou Sow is originally from western Mali, more precisely from the Nioro region in the Sahel region. She is president of the Association of Students and Supporters for the Protection of Cultural Heritage (AESPAT). Kadiatou is passionate about culture, reading, travel and discoveries.

Boureima Teme was born in Yendouma Sogol, Dogon Country. He obtained his master’s degree in History and Archaeology in 2011 after defending his dissertation on the theme of sigui and its teachings in the area of Tôôrô. He has been working with the NGO Association Dogon Initiatives (ADI) since March 2016 in the culture section as a program manager.

Safouane Tlili is a photographer who specializes in documenting the material and intangible heritage of Tunisia, especially on the island of Djerba. He has held several art exhibitions and is a civil activist in several human rights and cultural associations.

Matthew J. Suriano is an Associate Professor in the Joseph and Rebecca Meyerhoff Center for Jewish Studies at the University of Maryland where he teaches Hebrew Bible, ancient religions, and archaeology. A former fellow at the W.F. Albright Institute of Archaeological Research in Jerusalem, Suriano has also participated in several archaeological excavations and surveys in Israel, most recently at Tel Burna. He has written extensively on death and burial in the ancient world, and his book A History of Death in the Hebrew Bible (Oxford University Press, 2018) won the American Society for Overseas Research’s Frank Moore Cross Award. His research interests also involve Jerusalem and he is currently studying the monolithic tombs in Silwan.

Dr. Darren P. Ashby joined ASOR as ASOR CHI’s Programs Manager on March 1. He previously worked at ASOR from 2017 to 2019 where he reported on threats and damage to cultural heritage and led a project to document the current condition of Jewish cultural heritage in Iraq and Syria. In his new role, Darren will work with CHI leadership to support ongoing projects, strengthen relationships between ASOR’s members and partners, and further develop ASOR’s abilities to protect, preserve, and promote the rich cultural heritage of Southwest Asia and North Africa in collaboration with local communities, heritage professionals, and civil society organizations.
Regan Baker graduated from The George Washington University with a Bachelor’s of Art in Archaeology in May 2023. As an archaeology student, Regan quickly became familiar with ASOR, and she is excited to be coming on as the Office Coordinator. Previously, she interned at the Colosseum while studying abroad in Rome, Italy during the Fall 2022 semester. There, she worked in collections storage under the guidance of a supervising archaeologist and assisted with a project on marble pieces from the Imperial Box.
For the people of Mesopotamia, the past was a source of knowledge and inspiration. Their reverence, both in terms of preserving early buildings and monuments and reviving images and ancient writing styles, is evident in archaeological and textual records. While Mesopotamian monuments and images were produced as historical works, inscribed with texts that marked them clearly and linked them to specific events and times, their efficacy was understood to be unlimited. Dated to the reign of king Nazi-Maruttash (ca. 1307–1282 BCE), the stele of the Goddess Lama, currently in the collections of the Metropolitan Museum, offers an excellent opportunity to explore Mesopotamian interaction with the past during the Kassite period (ca. 1574–1157 BCE). Through visual and textual analysis, this talk examines the survival of Lama imagery in this period. It reflects on the religious/political significance of the stele’s production within a broader context. The aim is to demonstrate that the crudely carved and seemingly unimaginative reuse of an earlier protective goddess figure was a deliberately archaizing image and an inspired citation of the past.
Helen Malko is the Associate Director of the Stanford Humanities Center, where she oversees various academic programs in the humanities and interpretive social sciences. Before joining Stanford, she worked at the American Center of Research (ACOR) and Columbia University Global Center in Amman, Jordan. Helen holds a Ph.D. in Anthropology and Archaeology from Stony Brook University and a BA from Baghdad University, and she is trained in cultural heritage and preservation studies. She has been awarded multiple fellowships at the Metropolitan Museum and Columbia University in New York and has conducted fieldwork and capacity-building projects in Iraq, Jordan, and Turkey.


Pp. 4–13: “Religion(s) in Seals: Old and New Challenges,” by Fabio Porzia
Pp. 14-19: “Mastering the Seven-Headed Serpent: A Stamp Seal from Hazor Provides a Missing Link between Cuneiform and Biblical Mythology,” by Christoph Uehlinger
Pp. 20-25: “Stamp Seals as Jewelry: Identifying Body Ornaments through Seal Impressions,” by Noa Ranzer
Pp. 26-31: “Making a Good Impression: A Typology of Mounted Seal Impressions in the Middle Bronze Age Southern Levant,” by Tatjana Beuthe
Pp. 32-40: “‘Male until Proven Otherwise?’: Searching for Women with the Help of Inscribed Stamp Seals from Jerusalem,” by Bruno Biermann
Pp. 42-52: “Scratching the Surface of Middle Bronze Age Scarabs: Investigating Enigmatic Marks on Stamp Seals from Lachish and Megiddo,” by Nadia Ben-Marzouk and Ben Greet
For the last two decades, the Pyla-Koutsopetria Archaeological Project has explored the coastal region of Pyla village. Located 10 km east of Larnaka and immediately below the famous Late Bronze Age site atop the Kokkinokremos coastal ridge, Koutsopetria featured a now-infilled embayment which likely served as a harbor in antiquity. The location of the site near an ancient harbor and astride the major road running between the ancient cities of Kition and Salamis likely led to the fortification of the prominent coastal height of Vigla in the Hellenistic period. This site likely served as strategic outpost for mercenaries during the tumultuous period after Alexander the Great’s death when his successors battled for control over the island and the Mediterranean littoral. The forces occupying the fort appear to have abandoned it within a generation of its construction leaving behind a fascinating window into the tumultuous life of this strategic site.
During the Roman and Late Roman periods, a prosperous town developed in the coastal zone. Excavations in the 1990s by the Department of Antiquities revealed parts of an Early Christian basilica and the intensive survey carried out by our team showed that the site had trade connections across the Mediterranean. The rise and decline of the Roman period settlement at Koutsopetria was less abrupt than that of its Hellenistic predecessor on Vigla, but our work at Koutsopetria similarly offers a window into an era of significant change on the island. Our excavations and survey at Koutsopetria have revealed that the church and surrounding settlement likely experienced a gradual abandonment over the course of the 7th and 8th centuries. This suggests that the site did not succumb to a catastrophic end at the hands of Arab raiders, but declined gradually perhaps as a result of the changing economic and political landscape of the region.
R. Scott Moore is Distinguished University Professor of History at Indiana University of Pennsylvania.
William Caraher is Associate Professor and teaches in the Department of History and American Indian Studies at the University of North Dakota.

Curating an exhibition of contemporary art comes with the incredible opportunity of collaborating with living artists to realize together how to give voice and vision to their work. Doing so in the space of an archaeological museum brings with it the added opportunity to revisit and reevaluate traditional object narratives and museological methods. For centuries Western cultural institutions and museum exhibitions have advanced historical narratives of ancient West Asia with a singular, authoritative voice, predominantly disconnected from the present. Contemporary installations have the power to forefront and celebrate the complexity and continuity of this rich cultural heritage, presenting postcolonial perspectives and thought-provoking artistic responses that draw on diverse lived experiences, memories, and imagination.
In this webinar, Kiersten Neumann will discuss powerful examples of the pairing of contemporary art and archaeological objects from her own experience as an art historian, archaeologist, and curator, demonstrating some of the ways in which such contemporary interventions, including those by local and diaspora artists and communities, can bring a uniquely humanizing perspective to this history.
The Bat landscape of northwestern Oman is one of dense archaeological remains and diverse ecological conditions. The site has been a centre for human activity since the Paleolithic, most famously attested by the Early Bronze Age tombs, towers, and settlement of the UNESCO World Heritage zone. With the support of the US National Endowment for the Humanities, ongoing work by the Bat Archaeological Project aims to reconstruct the site’s Umm an-Nar period (ca. 2700-2000 BC) cultural landscape and the human-environment interactions that led to its creation and resilience.
The concept of resilience, or the ability of a system to persist and thrive even in the face of perturbations, can be applied to both natural ecosystems and human communities in ancient and modern times. A program of interdisciplinary collaborations integrating geomorphological, archaeobotanical, and phytolith analysis with remote sensing and traditional excavation of domestic spaces on the Bat landscape allows us to trace the arc of Umm an-Nar period activity at Bat alongside its changing environment. A parallel program of ecological survey assessing modern biological (floral and faunal) and hydrological resiliency provides a framework for understanding Bat’s history as a centre for human-environment interaction in the Umm an-Nar period. This lecture will discuss preliminary results of three seasons of resiliency studies at Bat and consider what lessons in adapting to aridity we, as a modern community, can learn from the people of third millennium BCE Arabia.
Jennifer Swerida holds a PhD from the Department of Near Eastern Studies at Johns Hopkins University with a focus on the archaeology of Arabia. Her research reorients traditional disciplinary boundaries by using insights from the Environmental Humanities to investigate the impact of mobile peoples in the formation of the cultural landscape(s) that shaped the history and culture of West Asia in the third millennium BCE. Her work specifically addresses groups that are underrepresented in modern scholarship, particularly those that occupied areas traditionally considered marginal or peripheral to state-level societies. Working within the landscape-household continuum of social archaeology, Dr. Swerida studies how people in these areas developed cultural mechanisms and socioecological strategies that enabled them to thrive and interact as peers with neighboring states. As Director of the Bat Archaeological Project, she is investigating the emergence of social complexity and cultural adaptations to aridity at the UNESCO World Heritage Site of Bat in Oman. She is a Consulting Scholar for the University of Pennsylvania Museum and a Visiting Assistant Professor at Kennesaw State University.